NULLA 0 - a monolith, is a new sound art project developed through conversations with 9 participants on their English speaking voices who identify across non-binary, womxn and women (cis/trans), and were either born in London or moved to the city for a duration of time.
The project is about agency- amplifying voices that are often othered while sharing narratives which have typically been omitted from our collective histories. Together, we challenge the word ‘neutral’ - a term regularly associated with whiteness, middle class and binary voices, casually employed to flatly describe the voices of AI personal assistants who maintain their coded interactions as a master/slave role play. Initially meant as a series of in-person group workshops, the pandemic changed the landscape of the project by shifting our discussions onto a digital platform. Here, we met as two strangers launching into an incredibly intimate and vulnerable subject - the voice. The rawness of these exchanges however, are full of laughter and openness, full of individuality and considered thought.
These 1:1 conversations focused on how the participants experienced their own voices intersecting with gender, race and class, while equally considering the disembodied voice as a sonic mask, one that rewrites the inner voice as an alternate persona in the mind of the one who hears it. Following the first exchange, we met once more, this time collectively and anonymously with just our voices to define us to questioned the notion of a ‘common voice’, and attempted to write a manifesto which could hold and celebrate our difference.
As it evolved, NULLA 0, a monolith became a rich collaborative oral archive which resulted in a publication - a record and artefact of our otherwise ephemeral assembly, accompanied by a sonic composition from our conversations, fusing narratives and highlighting ‘bad’ sounds in the audio such as pops, clicks, reverb, hiss and silence. The composition is diffused amongst photographic textile pieces showing mouths, saliva and skin alongside pages from the publication. Commanding our attention in the centre of the space is a oversized C-mouth shaper sculptural work made in collaboration with artist Grace Woodcock, summoning soft and wet inner mouth forms and vocal chords, explicitly brought into our dimension using suedette, silicone, bolts, foam padding and perspex.
Project collaborators:
Participants - Adèle Morand / Geaola Oluwakemi Adeyemi / Sven Ironside / Jasmin Kent Rodgman / Ruari Paterson-Achenbach / Kendall Perry / Shannon Latoyah / Joanna M Ward / Hannah Doucet
Publication - Samantha Whetton, Design. Print. Bind.
Sculptor - Grace Woodcock
Glass Blowers - Marcin Czepig and Jahday Ford